Being of Lightness

Hands seem to sink into solid walls. Giant people appear to climb in and out of high windows.  A building looks as if it is turning and clicking into new shapes like a kid’s Transformer toy. “Projected light media” doesn’t quite capture the etheral magic of this relatively new art form. A gathering at Portland … Read more

Michael Arras

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For Portland designer Michael Arras, his early experience with art gave no indication that he’d eventually decide to design furniture. “In school, I took art classes with everyone else,” he says. “But I didn’t have a real interest then. Mostly I doodled.”

Richard Massey

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To learn woodworking, furniture designer Richard Massey apprenticed to both his father and his grandfather. “I’m a fourth-generation woodworker,” he says. “It’s in my blood. I learned a tremendous amount from my grandfather, and not just about woodworking, but also about life. He was a wonderful person.”

Bonnie Meltzer

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Mixed-media artist Bonnie Meltzer likes to joke that she was born to create works of art from disparate materials. “I like to say that I came out of the womb with a purple crayon in one hand and a crochet hook in the other,” she says. 

Jeff Whitaker

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For metal artist Jeff Whitaker, his profession is a perfect match for his personality. “I’m an adrenaline junkie, who thrives on intense experiences,” he says. “Metalworking fascinates me because I’m actually melting metal using extreme temperatures. I’m able to coax around a liquid using intense heat, and there’s a lot going on when that happens, so I never get bored. I love to weld.”  

Kevin Noonan

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Painter Kevin Noonan’s interest in art began in childhood. “My grandfather is a gifted folk-art painter, so I grew up around painting,” says the Connecticut native, who has a degree in Buddhist Studies from Antioch College in Ohio. “I got the chance to study in India and Burma, where I did meditation, but when I was there I also studied Buddhist iconography and modern Burmese painting. I even visited the state art school in Rangoon and talked to artists there.” 

Heidi Marie Balmaceda

Portfolio

To look at artist Heidi Marie Balmaceda’s paintings, you’d never guess she once avoided working with color. “I was actually terrified of working with color,” she says. “I thought it was scary and complicated. Then about a year and a half ago, I got a 4-foot by 4-foot canvas and painted it metallic gold. I went to a crafts store and found some gold leaf and began to play with it.”

Ruth Von Buren

Shop Talk

When silversmith Ruth Von Büren enrolled in her first metalwork classes at the Rochester Institute of Technology after coming to the U.S., she hardly spoke any English. It turned out not to matter because neither did the teacher. “A famous silversmith from Denmark was the teacher,” she says. “Since he couldn’t speak much English, he’d show us how to do something, and then we’d try to do the same.”  

Michael Hampel

Shop Talk

For woodworker Michael Hampel, his wave sculptures are a way to bring the ocean to him. “About 10 years ago, I got back into surfing,” he says. “When you’re going over a wave, there’s a second where you can see right through it, and that’s what I’m recreating.”