Oregon Home Team
Christine Clark’s metal-and-concrete sculptures are indescribably intriguing: Their materials are both solid and soft; the curved shapes seem somewhat familiar yet are unrecognizable; a small blip of color catches your eye. And that’s exactly what the Portland sculptor intended.
Douglas Smith makes a living painting places and people he’s never seen. The 30-year-old travels the globe via the Internet, falling in love with imagery from foreign cultures that he reinterprets and incorporates into his canvases. First Thursday-goers, for example, are familiar with the vibrant paintings of monks smoking or skipping that the prolific painter sells for no more than $20 in his booth. (“I want to give everybody the chance to buy original artwork at an affordable price,” he says.)
To Portland woodworker Chris Held, furniture is a way to connect with a past that’s disappeared from much of America. “I work with old materials and weathered finishes to infuse my furniture with nostalgia,” says Held. “I grew up in the sprawling suburbs of Atlanta where everything old was torn down to make room for the new. My furniture represents a yearning for the old, for something that doesn’t smell of fresh asphalt.”
The prints and canvases of Bothell, Wash., artist Carolyn Krieg will launch haunting tales in your imagination. “Most people like my photographs, but some people think they’re scary,” says the 52-year-old, who lives and works in a studio attached to the barn that shelters her rescue-racehorse, Ollie; a goat named Stanley; and Weimaraners, Reynard and Kiefer.
When it comes to woodworking, Brian Pietrowski is a jack-of-all-trades. One day he’ll craft a conceptual art piece made from plywood and Formica; the next, he’ll build period-authentic studio furniture. And that’s the way he likes it. “There are so many different ways to approach furniture and design and construction,” says the Portland artist. “I find myself dabbling in everything. I just like making things, that’s what it comes down to.”