Oregon Home Team
You might not want to live with Crayola-colored living room furniture, but you just might pine for primary colors in your great outdoors, as furnituremaker Wayne Cordrey found out when he took his hand-painted furniture to the Saturday Market in Hood River, Ore. He sold it all before the market opened. “Not being someone who needs to be hit over the head, I quickly made some more,” he says.
After metal artist Gilles Neuray worked with resin for the first time, it became a fundamental element in his work. “Five years ago, I was making a fish and I needed something for its eyes, so I made them out of resin,” says Neuray. “I was so happy with the way the material catches the light that I began to use resin more and more.”
Water drops. Tree roots. Antlers. Soap bubbles. Everything from organisms to human organs serves as inspirations for glass artists Andi Kovel and Justin Parker, the partners behind the Portland-based esque studio. “Esque is a suffix—as in picturesque or burlesque,” says Kovel. “We wanted a studio name that acknowledges that everything that surrounds us influences us.”
To make the legs of his tables black, furniture designer Ken Tomita uses sumi, Japanese calligraphy ink. He got the idea while studying architecture at the Rhode Island School of Design. “We were given an assignment to come up with 10 different ways of making wood black,” he says. “I used the ink for one of them. I discovered that it has the right amount of gloss, and it’s a deep black. It’s like painting a void.”