Christine Clark’s metal-and-concrete sculptures are indescribably intriguing: Their materials are both solid and soft; the curved shapes seem somewhat familiar yet are unrecognizable; a small blip of color catches your eye. And that’s exactly what the Portland sculptor intended.
Yeah, you could buy your sweetheart a store-bought card with a poem printed on it, but think how much more permanent a sentiment could feel if it were hammered onto a piece of art furniture. Kate Grenier’s Te Amo Square (right), a handmade aluminum table with a hand-hammered stanza from poet Pablo Neruda’s “Love Sonnett XVII,” does just that. “Some people buy my tables for wedding or anniversary gifts because they’re romantic and unique,” says the Portland artist.
After metal artist Gilles Neuray worked with resin for the first time, it became a fundamental element in his work. “Five years ago, I was making a fish and I needed something for its eyes, so I made them out of resin,” says Neuray. “I was so happy with the way the material catches the light that I began to use resin more and more.”
When artist and jewelrymaker Elyse Bunkers discovered metal, she knew she’d found her medium. “It’s nice to work with such a stable material,” she says. “But I also like that I can manipulate it.”
For metal artist Jeff Whitaker, his profession is a perfect match for his personality. “I’m an adrenaline junkie, who thrives on intense experiences,” he says. “Metalworking fascinates me because I’m actually melting metal using extreme temperatures. I’m able to coax around a liquid using intense heat, and there’s a lot going on when that happens, so I never get bored. I love to weld.”
When silversmith Ruth Von Büren enrolled in her first metalwork classes at the Rochester Institute of Technology after coming to the U.S., she hardly spoke any English. It turned out not to matter because neither did the teacher. “A famous silversmith from Denmark was the teacher,” she says. “Since he couldn’t speak much English, he’d show us how to do something, and then we’d try to do the same.”
Arnon Kazmarov and Fergus Kinnell took very different paths to Oregon, but a meeting at a party at a mutual friend’s house led the two metalsmiths to start a blacksmithing studio, K & K Forgeworks.
While growing up in sunny San Diego, Calif., furnituremaker Lawrence Newman was frequently surrounded by wood, metal and tools. “My grandfather was a general contractor, so I spent a lot of time as a kid on his project sites,” he says. “I’d take things apart and try to get all the pieces back in order. Once I even took my grandfather’s chainsaw apart and put it back together, and it still worked.”
While he was working and exhibiting in Germany, metal sculptor Mufu Ahmed’s friends gave him an unusual nickname: Iron Must Obey.
For furnituremaker Chris Cardy, the best part of designing furniture is creating something people like and use.
