To make the legs of his tables black, furniture designer Ken Tomita uses sumi, Japanese calligraphy ink. He got the idea while studying architecture at the Rhode Island School of Design. “We were given an assignment to come up with 10 different ways of making wood black,” he says. “I used the ink for one of them. I discovered that it has the right amount of gloss, and it’s a deep black. It’s like painting a void.”
When Katie Todd moved into a new house and needed something for the walls, she began painting abstract landscapes. “I like to think of them as splashes of color that give you something interesting to look at on your walls,” she says.
Growing up in Germany, Helga Winter never imagined becoming an artist of any kind, much less a woodturner. “When I was a child, I did a lot of knitting and crocheting, but it wasn’t considered art because it was practical,” she says. “When I left school, I worked as a doctor’s assistant.”
Growing up in Germany, Helga Winter never imagined becoming an artist of any kind, much less a woodturner. “When I was a child, I did a lot of knitting and crocheting, but it wasn’t considered art because it was practical,” she says. “When I left school, I worked as a doctor’s assistant.”
For Portland designer Michael Arras, his early experience with art gave no indication that he’d eventually decide to design furniture. “In school, I took art classes with everyone else,” he says. “But I didn’t have a real interest then. Mostly I doodled.”
For Portland designer Michael Arras, his early experience with art gave no indication that he’d eventually decide to design furniture. “In school, I took art classes with everyone else,” he says. “But I didn’t have a real interest then. Mostly I doodled.”
To learn woodworking, furniture designer Richard Massey apprenticed to both his father and his grandfather. “I’m a fourth-generation woodworker,” he says. “It’s in my blood. I learned a tremendous amount from my grandfather, and not just about woodworking, but also about life. He was a wonderful person.”
To learn woodworking, furniture designer Richard Massey apprenticed to both his father and his grandfather. “I’m a fourth-generation woodworker,” he says. “It’s in my blood. I learned a tremendous amount from my grandfather, and not just about woodworking, but also about life. He was a wonderful person.”
When artist and jewelrymaker Elyse Bunkers discovered metal, she knew she’d found her medium. “It’s nice to work with such a stable material,” she says. “But I also like that I can manipulate it.”
When artist and jewelrymaker Elyse Bunkers discovered metal, she knew she’d found her medium. “It’s nice to work with such a stable material,” she says. “But I also like that I can manipulate it.”
