Morgan Walker
In Morgan Walker’s paintings, narrative is a key tool. “All of my paintings have stories that develop and change throughout the whole process of painting it,” he says. “When the painting is finally done, so is the story.”
In Morgan Walker’s paintings, narrative is a key tool. “All of my paintings have stories that develop and change throughout the whole process of painting it,” he says. “When the painting is finally done, so is the story.”
When Wendy Dunder constructs one of her illuminated sculptures, the piece gives her direction. “The material tells you what you can do,” she says. “If you bend it too far, it’ll break. It’s a very Zenlike and meditative process.”
To make the legs of his tables black, furniture designer Ken Tomita uses sumi, Japanese calligraphy ink. He got the idea while studying architecture at the Rhode Island School of Design. “We were given an assignment to come up with 10 different ways of making wood black,” he says. “I used the ink for one of them. I discovered that it has the right amount of gloss, and it’s a deep black. It’s like painting a void.”
When Katie Todd moved into a new house and needed something for the walls, she began painting abstract landscapes. “I like to think of them as splashes of color that give you something interesting to look at on your walls,” she says.
A tiled shower room. A rainforest showerhead. A soaking tub you can truly hunker down in. His-and-her sinks. A heated travertine floor. If you’re steaming for a new master bathroom, these are undoubtedly some of the features you’re going to try to squeeze into the space. Oregon Home asked a tilesetter, two designers and an architect for ways to do the room right.