Grace Bonney was fresh-out-of-college in a ho-hum public relations job with dreams of a career writing for shelter magazines. She couldn’t figure out how to get her foot in the door so launched a blog in 2005 called Design*Sponge.
Web only extended version: Go home with Matthew Dickman, writer of poems and keeper of the world’s meanest cat.
Customers come to Acanthus upholstery shop in Portland with everything from solid sofas to vague ideas. Anne Thompson helps them realize their dreams in eco-friendly fashion.
Candice Olson doesn’t mind copycats.
Interior designer Allison Smith immerses herself into detective work to get to the heart of the perfect palette.
Venture inside the home of Chelsea Cain, best-selling Portland author of bloody crime novels, and Nancy Drew fan.
Editor Robin Doussard writes about her own green efforts.
Meet Jill Cropp, a native Portlander who believes in living small, ditching the car and keeping a lid on stuff.
The future doesn’t look quite as exciting as I imagined. No flying cars. Disappointedly, fewer personal jet packs than expected. Our homes look less like George Jetson’s and more like Fred Flintstone’s what with all the granite and no-tech compost bins substituting for hungry dinosaurs. So I got pretty excited when I read about “advances in integrated home technology” at Mari Design. It sounds so space age fancy. What it means to the Portland company is that sales of their motorized shades and light control products are sky rocketing.
These were the Beatniks of housing. They turned their backs to society – and streets and neighbors – to focus on individual backyard havens. Walls of glass invited the outdoors in. Ceilings soared. Massive wood beams were left exposed. During the late 1950s through the early 1970s Robert Rummer built almost 1,000 such houses in the Portland metro area. At the time, many people were skeptical of the modern look, preferring the traditional formality of Colonials or the cozy familiarity of Arts and Crafts.
