Lucy Hardiman is the principal of Perennial Partners, a garden design collaborative group, and writes for regional and national publications, including Horticulture Magazine. Hardiman was to the garden born and is a fifth-generation Oregon gardener who doesn’t remember a time that she didn’t want to be digging in the dirt.
Even though Portland writer Lucy Burningham has been covering home and design for more than a decade, she still delights in peeking in strangers’ cupboards and making friends with their pets. Her work has appeared in numerous publications, including The New York Times, Saveur and Sunset.
Jon Jensen lives with his wife and 7-year-old daughter in a turn-of-the-century craftsman bungalow on the east side of Portland. His home design and lifestyle photography have appeared in many national publications, including Better Homes & Gardens, Sunset, Luxe and Traditional Home.
John Valls has spent the past year photographing a cookbook featuring the best of Oregon’s food. “Having previously met these chefs in their restaurant kitchens, I was surprised to find how delightfully small and simple their home spaces are,” says Valls, who has three cookbooks under his belt. “It goes to show that it’s not a fancy space that makes great food.”
Brian Libby is a Portland-based writer, photographer, and award-winning filmmaker. He has published in The New York Times, Dwell, The Oregonian and Metropolitan Home, among others. He also is the author of Tales From the Oregon Ducks Sideline, a history of his beloved college football team that is being republished this fall.
Robin Doussard
April-May 2011 issue
Hands seem to sink into solid walls. Giant people appear to climb in and out of high windows. A building looks as if it is turning and clicking into new shapes like a kid’s Transformer toy. “Projected light media” doesn’t quite capture the etheral magic of this relatively new art form. A gathering at Portland … Read more
You see it every day: Passers-by hold up a cellphone and snap a digital shot of something they want to remember—a dress in a storefront window, a just-delivered plate at a spendy restaurant or a too-cute pug puppy. Then there’s mixed-media artist Tom Prochaska. Relying only on his memory, he perfectly renders 20-inch-tall by 7-inch-wide papier-mâché figures that bring to life people he last cast his eyes on fortysomething years ago.
